It has
taken a number of years and considerable time to get this
old house, with wrought iron latches in lieu of door knobs,
back to the original appearance. Everything was handmade in
the 1830s, so a window casing might have 4 pieces of
different woods, not discovered until one removed the paint
and hardened putty. The elaborate carved porch -
which appears to be made of "cast iron" - is entirely made of
wood, requiring extensive restoration work. We selected
Burgess & Burgess of
Union ME to do the work and for many weeks they were working on
the porch and various elements of this old residence.
The picket fence was a particularly difficult
task, as we wanted the hand turned finials to be used for a
replacement one. This the Burgess' did with such precision that,
once painted, it would be impossible to tell the 1837 wood from
the 2012 parts of the construction. They built a new side gate,
allowing access to the water faucet and other things next to the
house; it looks original but is really circa 2012.
The elaborate ramp was designed to give
mobility to Lois Konvalinka, now 95 and co-founder of
The Musical
Wonder House with me (1963-1986), once an internationally
acclaimed museum of mechanical musical instruments. I can get
her out of the building and into a car in less than a minute,
using our travel chair. The ramp has a loading platform at the
top, with swing out gates, plus a bench and another gate at the
half way point, where a second platform allow lunches in the
open, weather permitting.
The
ARTCRAFT Studio for arranging, perforating and publishing
virtuoso music rolls is in the lower level of the structure.
What had been a walk-in cooking area with a hearth fireplace is
now an intimate room with 2 Steinway player grand pianos (7' and
6'6") plus 4 Leabarjan (tm) music roll perforators along with
the necessary editing/processing equipment. ARTCRAFT Rolls, my
third player roll enterprise since 1952 when I began in this
'niche' field, started at our museum in 1982 and the operation
moved to this building in 1986 where it remains today.
If you are interested in
seeing this building as it was in the past, there's a June
1968 issue of
The National Geographic and
also an excellent article focusing on the wood carver,
Edbury Hatch, the last of the artisans who made figureheads
for sailing ships in Maine. When we bought the building
decades ago the coal furnace produced no heat using oil ...
storm windows were missing (Lois Konvalinka had craftsmen at
the time fashion new, heavy wooden ones) and many details
were in need of intelligent restoration.
http://thedowneastdilettante.blogspot.com/2011/04/growing-up-on-coast-of-maine-romance-of.html
Check out this illustrated article about the house as well
as master woodcarver Edbury Hatch
Living in a "museum
piece" of a home requires major compromises in our
lifestyle, but the building has 'personality' and we are
proud to have brought the exterior back to much of its
original charm.
– L. Douglas
Henderson
Lois E. Konvalinka
Wiscasset, Maine 04578 USA
October 24, 2012